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The Nereid Beckons
Will Brown Project
ACT I & II
Delaware Center for Contemporary Arts Project
Leedy Voulkos Installation
Is It Just A Game?
Rockhurst Jesuit Mural
Trifecta of Oakdale Public Art Installation
Significance of the Moment
0 MPG Installation
Two Sides of the Same Tracks Installation
Avenue of the Arts
Look Good, Feel Good Barber Shop Installation
Lewis & Clark Public Art Installation
River Fields
Structural Installations
Components Sculptures
Manna Exhibition
Community Based Grant Project
Wood Sculpture
Early Mural and Sculpture Work for Schools |



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River Fields
Pvc tubing, polycarbonate sheets, stretch wrap, solar lights
This installation consists of a series of three translucent hay bales. Each hay bale is five feet tall with a diameter of five feet around. These forms were set a float in the Smoky Hill River. During the day the sunlight will refract off of the glistening plastic wrapped surface creating a radiate translucent glow. In the evening, the interior solar-powered lights are activated by the setting of the sun. The light inside each hay bale will constantly change color illuminating the forms will pulsating color. The hay bales have a life all their own as the breeze and the slow current of the water make them shift and move constantly. They develop their own animated personality. Overall, I would describe the work as celestial, supernatural, unearthly, and ghostly. The synthetic man-made plastic wrap is a direct contrast to the organic quality of a typical hay bale. I wanted to develop a paradox, trading hay grass for plastic and an earthen field for the field of a water way. During day and night the reflection on the water adds to the dimension of the work. The three forms strike the curiosity of festival-goers, night and day.
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